ITEM# UJKA359 – Catalogue 33 – Sold
A Morikane Katana (源盛包作)

Morikane was a swordsmith of the *Kongôbyôe school* in Chikuzen province – the same warrior-monk lineage, rooted in Fukuoka on Kyushu island, that produced blades for the samurai who repelled the Mongol invasions of the Kamakura period. The school’s founder Moritaka and his successors – Moritoshi, Morikane, Moriyoshi, Morikuni – all carried the “Mori” prefix and shared an approach that was conservative, highly functional, and shaped by the Yamato and Yamashiro traditions. This quick and curvy katana was signed by the first-generation Morikane, working during the warring late Muromachi period, circa the Eiroku era (1558-1570).
The blade has a nagasa of 68.5cm with a pronounced 2.4cm sori that gives it real speed. The *jihada* is a fine mix of mokume and itame meeting masame-hada, enriched with ji-nie, abundant swirling *chikei*, and a subtle *shirake utsuri*. A full-length *bo-hi* (groove) runs the length of the blade, lightening it further. The *hamon* is a precise beam of *hoso-suguha*, held with tight nioguchi – the hallmark expression of the Kongôbyôe tradition. The *ubu-nakago* (original, unaltered tang) is signed 源盛包作 – *Minamoto Morikane saku* – confirming the smith’s family name of Minamoto. The nakago-jiri is cut in the distinctive *sotoba* shape, referencing the Buddhist tomb plaques used in Japanese burial grounds.
A superb set of *uchigatana-koshirae* was built for the sword using antique fittings. The *saya* is lacquered in *aoi-gai fuemaki* technique – glossy black with tiny particles of blue shell embedded in symmetrical flute-like stripes, evoking the traditional Japanese *fue* (flute). The *fuchi-kashira* complements this theme beautifully: signed by *Ichidôsha Toshimitsu* of the Edo period, it depicts a drum, flute, and narcissus rendered in shakudô with nanako ground and gold and silver relief accents, certified NBTHK Hozon. The iron *tomoe* tsuba was crafted by an armour-maker circa the very late Muromachi period, its openwork design depicting the threefold division of Man, Earth, and Sky at the heart of the Shinto belief system – certified NBTHK Hozon. Flower-bouquet *menuki* in gold are set over same-kawa and wrapped with black leather.
| Item Number | UJKA359 |
| Sword Type | Katana |
| Swordsmith | Morikane (first generation, Kongôbyôe school) |
| Swordsmith (JP) | 源盛包 |
| Signature | Minamoto Morikane saku (Kongôbyôe) |
| School | Kongôbyôe |
| Province | Chikuzen (Fukuoka, Kyushu) |
| Period | Kotô – Late Muromachi (circa Eiroku era: 1558-1570) |
| Nagasa | 68.5cm |
| Sori | 2.4cm |
| Moto-haba | 2.2cm |
| Weight | 640g |
| Nakago | Ubu (original, unaltered); sotoba-shaped nakago-jiri |
| Jihada | Mokume, itame meeting masame-hada, with ji-nie, chikei and light shirake utsuri |
| Hamon | Hoso-suguha (thin straight temper line) with tight nioguchi |
| Certificates | NBTHK Tokubetsu Hozon (blade); NBTHK Hozon (tsuba); NBTHK Hozon (fuchi-kashira); NTHK-NPO Kanteisho (koshirae) |
| Koshirae | Uchigatana-koshirae; saya lacquered in kuro ro-iro aoi-gai fuemaki technique (glossy black with blue shell embedded in flute-stripe pattern); crafted in the modern era |
| Tsuba | Iron, openwork tomoe design, mumei, by an armour craftsman (kacchu-shi), late Muromachi period; NBTHK Hozon |
| Fuchi-kashira | Shakudo with nanako ground, relief with gold and silver accents; depicting drum, flute and narcissus; signed Ichidosha Toshimitsu (Edo period); NBTHK Hozon |
| Menuki | Gold flower-bouquet design; set on same-kawa (ray skin) and wrapped with black leather |
| Habaki | Silver with diagonal file marks |
| Catalogue | Catalogue 33 |
| Status | Sold |
| Includes | Shirasaya, custom koshirae with antique fittings, bags, stand, kit |
